What could go wrong?

(a twitter thread – originally posted Feb 7 2020)

Alright, gather round. I’ll tell you my ‘Alpaca Farm’ story. This came up this morning since my friend had been trying to tell her husband about it and texted me trying to remember what had been so traumatic so she could explain it better.

In 2006, I was working as a telephone technician and got sent out on a service call to the middle of nowhere, I think somewhere around Pinckney, MI. Paperwork said customer had no dial tone on a couple extensions, something like that.

I don’t remember if the customer was under a name or a company name, not really important. Suffice it to say, I found myself at an Alpaca Farm. Owner was a nice (lonely?) middle-aged lady, greeted me, probably introduced me to an Alpaca or two that were out and about.

I remember she had a decent operation at the farm – she’d clearly done well in the past and now mostly was handling the care of the animals and business side of things while she had subcontracted out the logistics of processing the fur.

I don’t remember if she had a spouse/partner, either way they weren’t there, so it was just me, her, some alpacas and a one-floor ranch house that she lived in and worked out of. People who have business phone systems in their houses are a unique bunch anyway…

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Adventures in Gravitational Relativity

(from the archives)

Many years ago now, I stumbled across Upside Down (2012) on Netflix. It’s a classic story of star-crossed love between a boy from one world and a girl from another. Except that in this case, what keeps them from getting down is quite literally an agreement on which direction it is.

So, already, we’re talking about a very far-out type of story universe, taking something we all take for granted (namely: gravity) and messing with it.

Then, when I started sitting down to write about it a short time later, I stumbled upon another film with a similar core concept: サカサマのパテマ <<Patema Inverted>> (2013). After viewing Patema, it seemed only fitting to talk about both of these movies together and how one clearly rose above the other with their treatment of the common conceit.

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